This is Emily and Davide’s couple session. I went back to my hometown for Christmas, and I found a wonderful warm weather, my loved family, and some friends that are always there for me, even if we meet once a year. I was so grateful, and I always am.
These two beautiful guys here, are an amazing couple, and I tried my best to give them the pictures they deserve ;)
You can see the whole story – and a short video I made, with pictures and a GREAT soundtrack – on my wedding page. Enjoy!
In 2016 I left for the Camino de Santiago, a way of pilgrimage that starts at the French border and crosses all the north of Spain, to Santiago de Compostela. It’s 800 km long, and the aim is to walk it all, backpack and boots, that’s all. After a week, waiting for the dinner and resting from an extremely hard day, Ross was sitting in front of me and said “I think tomorrow I’ll catch a bus, I’m afraid not to get to Santiago on time for my flight”. “When is your flight?”, I asked. “On the 1st of September”, he answered. “You’re NOT catching a bus, tomorrow, then”, I said. “Only a week passed, we still have to get trained to this. We can’t give up now. My flight is on the same day as yours. Let’s walk together and see if we can do this!”
We walked the rest of the way together. We shared thoughts, emotions, fears, tiredness, we shared a room when it was impossible to sleep in the hostels, poems while walking at dawn, tortillas while having breakfast, feelings about our partners, stories of our families. I took care of his passport when he left it behind, and he took care of me when I got sick and had high fever. Walking together for something like 700 km built a strong, deep link between us, like a brother and a sister. And we made it, till the end. Till Santiago, then till Finisterrae, till the ocean. And we kept building and protecting this link during these years, even if we live so far away from one another.
Ross lives in Seattle. He studied in Oviedo just before starting the Camino. After that, he went back to US. He met Eric while working as a shop assistant, and he fell in love with him. I followed from Europe the beginning of a wonderful love story, through Ross’ words. I was crying out of joy when I knew that they were coming to Europe: I could see my “little boy” again, and I was going to meet his boyfriend. Eric is kind and sensitive, and both of us had the feeling that we knew each other already. We spoke a lot about ourselves, our feelings and emotions, like old friends.
We three had a great time in Oviedo. We had cidra (a lot :D), tasted all Asturian cheeses, walked on the ocean’s beach, enjoyed walking around the city’s markets. And we woke up soon in the morning, to catch the light. It was a beautiful light. We had Love and Rainbows.
If you’re interested in meeting me and have a shooting in your favorite place, just drop a line: other than HD pictures, I’ll give you a unique illustration portrait of you, as a present. And if you’re just thinking about it, but you’re not sure yet, have a look to my wedding photography page, and see if you like what I do! :)
It was during my penniless period in Rome. One of my student’s father saw my paintings and offered me a week in his b&b in Sardinia, by the sea, with a room all for me, delicious food, and probably some of the best beaches of the world.
In exchange of this guy here, painted on the wall, in acrylic. I had the time of my life, and the best travel mate ever, Fiammetta Cerreti, who documented the work in progress – wonderful soul and great artist and writer, who has been by my side in many other adventures and misadventures :D
Painting on the wall is amazing :) And if you want to have me home for a while painting what you like, just give a shout! At least to know each other better ;)
I lived in Rome, and I was penniless, that moment. I heard there was an Eritrean refugee camp, close to my neighborhood. So I went there, every day, for a month, and spent all my days with these strong, brave people. After that I followed them during a very long trip till the northern border.
I wanted to show their courage, their dignity, their way of smiling and face the misery of leaving their country and loosing everything, their hope. My work was rejected by many magazines, because I didn’t show enough pain and this kind of pictures don’t SELL, that’s what I’ve been said. I was disgusted.
For much time, I felt guilty to follow these people, hoping to SELL the pictures I took them. I was poor, and I needed to eat and pay my rent, but I promised myself that I will never exploit people’s suffering or pain, to earn money, again.
After this project, I discovered wedding photography, and realized it was the thing I wanted to do. But as soon as I’ll be able to, I want to start a new project, and to go on showing these people’s strength, without the need to sell anything.
A long way to go. In Rome, only a break.
Arguing, polemics, complaints. And yet, hundreds of Eritrean migrants arrive at Baobab center, in Cupa street, Rome. They get a shelter, food and clothes, offered by neighborhood citizens. Volunteers work hard to offer acceptable conditions for people who don’t remember what acceptable conditions are. This people is running away from violence and hunger. And unfortunately, in Italy, many don’t know that they aren’t here to stop, they don’t want to settle here, aware that the situation in our country is not so good at the moment. Many don’t know or pretend not to know, pouring out their rage against their arrivals and against who’s helping them.
The real issue is that there is no demonstration, barricade or border closure working. Nor sea or desert. These people decided to leave, to abandon their home, to dismember their families, to go on living – living, not existing in inhuman conditions.
I’ve spent much time at Baobab center. Hundreds of stories and faces, many of them so young. The mildness and dignity of this people is disarming, while they try to tell their stories, if they mutter some English. They need to rest, to smile, to restore a tired and torn body. After travelling for months and risking their lives more than once, they have exhaustion, smile and gratitude. They have the hope to find a simple life, to fulfill a dream, wherever, no matter where.
One Saturday night I caught an Intercity train from Roma-Termini to Bolzano, with two young men and a 8 months pregnant woman, who has been captured and segregated in Libya for three months and was able to escape in the end. Her gaze claims silent respect.
Not even difficulties like this can stop them, even if many of them can’t escape dangers during their trip. Some boys have been texting me, updating me on their moves. Daniel, 21 years old, called from France. And he was laughing, joyfully.
Kidnappings, shipwrecks , C.I.E. (Identification and Expulsion Centers), barricades, insults, demonstrations, hatred and racism, borders closure, indifference and inability to manage the situation. But hope and will for a better life can’t be stopped by anything. Whether we accept it or not, migrants will keep on moving and try to reach better places to live in. Wasting energies against moving life is worthless. Once I’ve been told that Italians must help them because Italy, as a former colonizing country, caused a lot of troubles in Eritrea. But, no. We don’t have to help them to compensate guilt that probably don’t belong to us. It’s not about politics. It’s just because they are human beings. and, just like all human beings, they will keep on trying to find a better life, they will keep on moving.
“You can’t come to Greece without seeing at least one island!” How do you blame her? Celeste arrived in Agios Dimitrios three days after me. But she had already prepared every detail, so that her mother, grandmother, aunt and cousin would host me properly. And “proper” hospitality, in Greece, is just amazing. Breakfast ready on the table in the morning as soon as I wake up, bed made, lunch and dinner (and, oh my God, what lunches and dinners!) served, against all my attempts to help, to thank, to make myself useful. No way, in Greece the guest is a pasha, it works like that, because there will be other ways, other times and other trips to give back all this.
Agios Dimitrios is a small country village, a few kilometers from Livadeia, in central Greece. Just before arriving there, there is a tree in the middle of the road: it grew up there and the two lanes run along the sides. All around, like a valley, even if it is a plain, mountain ranges. In less than an hour, by car you can even reach the sea, and in an hour and a half you can reach Delphi, the infinite magic Delphi, the navel of the world, the Centre. Although not usual as a “tourist” destination – in fact, that’s exactly what I love – the holiday here is wonderful, the colors of light, landscapes, the friendly ways of the people, good energy and serenity.
But you can’t come to Greece without seeing at least one island! Mother advises us Hydra. To me, only its name is enough to convince me, even if it seems to be an expensive and very “touristy” place.
Agios Dimitrios – Athens – Piraeus – Hydra, train and ferry. Piraeus is terrible. You can’t breathe, it’s a concrete casting on the sea. As soon as we arrive, we have to walk half an hour to find a bar. Shops of junk, hardware, low quality clothing, closed shops, sprinkled shops, decadence, dilapidation. Piraeus is a place of passage, the port of Athens. A chaotic and noisy comings and goings of travelers of all kinds pours into the streets, waiting for ferries, looking for ticket offices, and escaping the huge amount of beggars. The gypsies and homeless are no longer in the center of Athens, the Golden Dawn must have hunted them down, and so, on the sidewalks of the suburbs, including Piraeus, the rows of begging cans, makeshift mattresses, dirty rags and supplicating glances stretch out. We set off on the quay to avoid being swallowed up by the concrete and to look at the sea, even if it is more than an hour before the departure of our fast ferry. It will pass in a flash, as will the two hours of travel, drinking beer, eating chips and looking at the blue line of the horizon.
The fast ferry is a delight, a slow and relaxing cradle, even if outside the sea hurtles. The children sitting in front of us speak Greek and Spanish, and we study each other, attracted by the new languages.
I am curious to see this island where there are no motor vehicles, curious to see the sea of the Greek islands, curious and amazed by Greece and its continuous kidnapping me.
As soon as we dock we realize that we have made an unforgivable mistake: it is the end of July, in full season, the port is crowded and we have not booked any room to sleep. For a moment, total panic. We don’t even have sleeping bags, we wanted to travel lightly. But since I got here I’ve learned a beautiful expression – which, thinking about it, perhaps exists in all languages, something like hakuna matata in Swahili, I don’t give a fuck in English, ‘sti cazzi in Roman: the variesai. In short, WHATEVER, we’ll find a solution, the only free room in Hydra will fall from the sky, the universe will help us.
He who seeks, finds. Let’s enjoy a moment the view of this pearl on the sea, white perched houses, pebbles, narrow and intricate alleys. Let’s ask the first office. Nothing. They recommend a room rental nearby. Nothing, all full. A “taxi driver” of donkeys tells us to go up that road, to turn right, then left, then to go up that small ramp … the suitcases, although light, begin to weigh, it is an absurd heat and the climbs do not help. I leave Celeste sitting on a step with the suitcase and go up in random exploration, I’m away for at least half an hour, losing myself on purpose and finding myself again, because the atmosphere is magical and white and silent and I enjoy the walk. But nothing. There is no cot, the people I ask begin to send me back to structures that we have already seen without success. It must have been two hours now, searching in vain.
“Let’s go back to the port, maybe we missed something.” But we are quite resigned, and in the spirit of the variesai we sit at a tavern with a beautiful Alpha 66 ml, laughing at how unprovided we were and how much fun if uncomfortable will be looking for a sheltered corner and sleep on the beach.
Our host hears us and probably understands that he can’t leave two young tourists without a roof at all. Gionis arrives walking slowly and sits at the table with us. He is about sixty, has white hair and an apartment that has just been freed. He gives it up for two nights and for a little money. We rejoice. The universe takes care of us, just ask! We are exhausted by the search and drunk for the second round of beer. We laugh and release, while Gionis tells us about his family, the museum where he works, he says we can go and see him there whenever we want. The last effort and we arrive in a WOW apartment, all made of stone, with an inner courtyard and a staircase that goes up to a terrace from where you can see the port. Paradise. We place our things, swimsuit on, and go!
We find a place that goes down to the sea, with a small space to lie down, music a bit too “in” for us, travelers on the road. And this will be our beach for the whole weekend, apart from a small exploration and a boat trip around the island. Here everything is “touristy”, the luxurious restaurants, the terraces of the restaurants all busy, the very expensive souvenir shops, the huge yachts with the sliding doors and the tables set in silver and crystal on board. But the sea is blue and fills my eyes, the pita gyros is the best I have ever tasted and for two days we turn off our brains and the only thing that remains is contemplation, of the sunset, swimming until we can’t feel our arms, of the boats docked in line, in front of an abundant breakfast, of the steep alleys, of the night, from the terrace, listening to suggestive songs from our mobile phone and watching the port that lights up.
Yes, I couldn’t come to Greece without seeing at least one island.
“I thought about it for days and days, to find a way. The tube of the pen was not good, the shape was not good and the stones did not come as I wanted. Then, one day, I turned around and saw this broken umbrella, and the idea came to me like a flash in the head!”
The sun beats, the heatwave of eleven o’clock in the morning does not forgive, and the light dazzles overbearingly with white slamming on the stones of Matera. In the middle of the sidewalk there’s a small pedestal with a strange sculpture, its silhouette almost blinds in contrast with the narrow and dark entrance of the cave. It is the sculpture, despite the darkness, that seems to push you into it.
Vincenzo stands there at the back of the room, giving his back to the visitors, bending over his dusty work table. As soon as the eyes get used to the drastic change in light, white prevails in his workshop as well: in addition to the immaculate shirt, the tuff sculptures, which is actually calcarenite “but we call it that way because it is simpler”, fill each wall, placed on shelves and shelves, hung, leaning against each other, all on display. Ashtrays, vases, heart-shaped pendants, animals, frames. And cribs. Vincenzo gets whole blocks of tuff and sculpts them in the smallest details until they become glimpses of Matera, of its oldest and most enchanted part, and stages the nativity, populating it with tiny clay statuettes that bakes in an oven and paints by hand with tempera colors. “The comet star is very important, it must never be missing”, he underlines.
It’s fun for a world, Vincenzo, to make those who enter guess which are the tools he uses to sculpt this or that particular. Because no one guesses. He created the “chianche”, the slabs that pave the streets and neighborhoods of Matera’s stones, breaking the handle of an umbrella bag, using the two tubes obtained as a stamp on the stone. “And the window? You can open it, you see?”. A hidden switch, and all the cribs light up. In the cave, a miniature viewpoint of Matera’s stones landscape in the evening. He also makes the cribs inside the bread, or with papier-mâché. In his blue eyes, a leap of satisfaction, the joy to show his creations, like a child who has just finished his most beautiful drawing. His strong hands gesticulate, indicate, rub into a cloud of white powder left by the limestone. On display on a notice board, the photos of all the actors, directors, journalists and celebrities who have passed through Matera and honored him with a visit.
He remembers when he lived in one of those caves when he was a child: the chicken coop was under his bed and the donkey was part of his family; the last of four brothers used the worn-out clothes of the elders; the witch was carrying a toy gun that the next day disappeared mysteriously to reappear the following year, passed off as a new gift. “We didn’t even have money for soap,” he says. He began working as a coach builder at the age of 9 for 300 lire a month, then around Italy, blacksmith, carpenter, upholsterer, policeman, then official of the prefecture for 30 years. “I couldn’t stand still in the same place, after a while I always got tired! He met his wife in Rome and took her with him to Matera; now, at 61 and with grey hair, he has two daughters and four grandchildren of whom he is proud. He has always cultivated a passion for sculpture: since he was 11, he spent his free time working with white rock, the passion that after years has closed the circle and brought him back home, in the rocks of the underground city, where he continues to sculpt and create, “WITH HEART AND LOVE”, he wants to tell it, because that’s what counts.
Vincenzo gave me a heart as a present. A white heart from Matera ♡
In Swahili it means travel. It is also used as first name. It has to be beautiful to to be named “journey”.
The weekend off, after a week spent in the nursery school: we can choose between the golden beach of Malindi or the safari. The idea of a beach with golden sand is intriguing, but this is my first time in Africa, the first time in Kenya, and who knows when it will happen again. Safari, there is no discussion. A trip. Just the fact that the word has this meaning, for me, it’s enough to make up my mind.
“Now, get ready, you will see the real Africa. Fire Eater is our interpreter, and our contact to get us a good price for the trip. His real name is not known, he calls himself that way because once he traveled around Africa as a juggler, acrobat and, precisely, fire-eater. Now I know that he is one of the many beach boys who spend their days at the beach looking for business, jobs, and adventurous tourist ladies. He speaks an excellent Italian. He and Bianca already knew each other, she had been here on holiday last year and they became friends. He says he went to a sorcerer and asked him for a voodoo ritual to make her return to Kenya. Bianca, unaware, finally returned, this time as a volunteer, and they found themselves by chance, walking on the shore of Watamu a week ago. It seems that the sorcerer knew what he was doing.
A van with nine seats and 120 kilometers of dirt road. I’ve been sleeping very little for a week, and I’m taking antibiotics for sore throats, but I don’t close my eyes for a minute, I don’t want to lose anything. Red soil, so red, I didn’t think it existed.
“Here people have to walk up to 15 kilometers a day to get water from the wells,” explains Fire Eater. Even children. And this is an old story, everyone knows it already. The “real Africa” has been seen by everyone, in the photos, in the documentaries, in the advertisements of NGOs and associations. Everyone knows that a big part of Africa is still dying of thirst, but seeing it here, with my own eyes, it’s not the same. Commonplace, banality, but it is so. The “real Africa” arrives without filters, this way, direct, it slaps you in the face, and if all the skirmishes work great from afar, here it’s different. You’re just disarmed, and that’s it.
The very warm red of the dirt road and the yellow and burnt scrub that extends to the horizon, endless. The road proceeds without the slightest hint of curve, just a few ups and downs. And these intermittent silhouettes, dusty and very slow, along the way, pressed by the tanks full of water, which lean in balance on the head. While in every village you find, there is a beautiful kiosk of Coca-Cola, with a glittering inscription “One billion reasons to believe in Africa”. But that’s another story.
We stop at a gas station in the middle of nowhere, where in a huge warehouse are crammed thousands of souvenirs, vases, canvases, figurines, musical instruments, bags, sandals, jewelry, “today discount”, they tell us. In the bathrooms the writings are in English and Italian. One of the shopkeepers starts chatting with the group while we smoke a cigarette, and he wants to buy one of my bracelets. If I wasn’t so fond of it, I’d leave it with them.
Finally you can see the two rhinoceroses, the metal shapes on the entrance gate of Tsavo Est. In more than 21,000 km² there are only two rhinos left, and they are not easy for man to see.
The tended field is a blast. In a tent like this I could live for years: the shower, the toilets, the veranda, two soft beds, scented sheets, mosquito net. They warn us to always close the lock, because the baboons enter and steal everything. Already five or six wander around curious, they are used to man, as if they were cats. There are no fences here, we are in the middle of the savannah, and tonight only a tent will part us from the outside.
The guide is ready. A squat little man with a sly smile and his eyes ajar, he is silent, he is not very promising. But, as soon as he begins to explain the history of the park, to tell us about every species we’ll meet, to see in the distance the animals to chase and approach, we understand that we couldn’t have better guide. Through a radio communicates with the other jeeps to keep up to date with the sightings.
They tell us that we need to be very lucky to meet the lions, but after less than an hour, a lioness is lying on the side of the road, under a low hedge. It’s huge, majestic. Nonchalant, she stares at us, as if she thought “what are these looking at?”. It’s yawning. Amazement. Let’s leave before she can get upset.
Zebras are small and very sweet. They cross the road slowly and we have to wait for them to get tired of looking at us, to continue.
I can see a crocodile while we are on the ground, just over a meter away. Thinking that it can swallow animals much bigger than me tells me that I should move away.
The giraffes’ heads overlook the trees, they’re funny and they ruminate all day long.
The size of each species is the first thing that strikes me. In my imagination it was something else. Seeing it with my own eyes, without filters, it’s completely different. I can’t fully comprehend it: in less than twelve hours I saw most of the African species, all there, one after the other, one landscape after another, crossing grassy plains, dense forests, burnt steppes, rivers in flood, hills and mountains.
The sky is now beginning to blush, the shadows are stretching on the dry grass that sways in the wind of the sunset.
Dots on the horizon. Silence. A herd of elephants approaching a pool of water. One after the other, in an Indian line, perfect order, hierarchies that I can’t grasp. As soon as they stand out more closely, there appears a gray bundle, hidden between the huge, wrinkled legs: a puppy. Clinging to a tail, it proceeds learning to walk, just opening its eyes, seeing colors that are as new to it as they are to me. All of them in a circle, as if unaware of our presence, begin to drink at the pool, to wash up, to play. Maybe we are too close. With phlegm and slowness, but in a moment the oldest elephant is one meter away from us. You can look her right in the eyes. A trumpet. And away, the jeep leaves again. Laws of the savannah. Maternal protection. Unrepeatable moment, yet eternal. A shiver.
At the camp we have dinner, Swahili lessons with Fire Eater, and a bonfire around which to sit and listen to the stories told by the masai, who at night watch over the tents, very tall, in red clothes, armed with spears.
Tonight, however, no stories: there are checks underway in all the tented camps, government officials decide that the lights will go out later than usual, and take over all the good places around the fire. Tomorrow we have to wake up at dawn, and we are all too tired to wait to see the starry sky of the savannah. Disappointment.
At four o’clock I wake up to go to the bathroom. I’m about to go back to bed, but from a window I can see, through the net, a small triangle of sky. I can’t resist, I roll a cigarette and decide to go out. The darkness is total, liquid, it swallows everything. Not even a breeze, but every now and then I hear the rustle of the grass. I remain paralyzed in front of the tent: it could be a monkey, but also an elephant, even a lion. Or just the wind. I don’t know. It could smell my fear or see the spark of the lighter. It might be hungry. But I finally raise my eyes to the sky. All the muscles stretched and the hearing sharpened in silence. I get lost. This sky takes my breath away, a shower of stars that seems to start falling on me. The constellations cannot be distinguished. If I could count them now, I could bet that this is the sum of all the stars I’ve seen since I was born. The time to finish the cigarette, and I’ve already seen five of them falling.
Strange noise on my right. The heart now bursts. The tent neighbor turns on the light: it was him.
The next day I tell Fire Eater how beautiful the night sky is in the savannah: eyes wide open, he shouts: “You are crazy! It’s very dangerous”. And judging by the size of the excrement around the tents, it’s not just baboons that have to wander around at night.
I took a big risk, but it had to be done, I had no choice. I had to see a show like this with my own eyes and take it inside of me. Until next time, at least.
9:30 pm, all set. Or maybe not, maybe you’re forgetting something. Every time you pack your suitcase, it’s like that. Even though you’ve checked your mental list a thousand times, there’ s always that feeling: “yet I’m about to forget something fundamental and I don’t know what now”. Then it will come to your mind as soon as you get on the bus to the station, but you can’t go back, because even if you left an hour early, you can’t make it, with Rome’s public transport. In the end, then, nothing was missing. The one who forgets things is Laura. She’s forgotten all the documents, she’ll come back to retrieve them and take the train later. We agreed to meet at Ancona station: me, from Rome, her, from Venice, with a few minutes difference. Not bad, I’ll take a look at the city while I wait. Never seen it before. And we’ll be able to catch the ferry in time. I hope.
Rome – Ancona, Intercity, place corridor. A little boy, elegant dressed, blocks the entrance of the passengers looking for his place. At a certain point, feeling the pressure, he decides to sit next to me and tell me the story of his life, asking me the favor to wake him up before Fabriano, if he falls asleep: he has an important job interview, the only one he managed to get after months he was looking for it, in fact.
In the meantime, the railway approaches the sea, touches the coast, it almost seems to be already on the boat. There’s nothing to do: when you grew up on the Po delta and until you were twenty years old you saw only brownish and murky water, the color blue of the sea is an explosive emotion, every time. Emotion which doubles, now, with the adrenaline of the journey that is about to begin.
I eat in some seconds a very spicy mega kebab in one of the squalid bars in front of every holy station in every holy city. Inside there is only one gypsy family, indifferent and busy, devouring sandwiches and slices of greasy pizza. I ask the guy in the restaurant for directions to a supermarket, but he helps me very little, stammering and looking down. Backpack and suitcase weigh on me, but an oxygenated lady full of wrinkles and with reddish and smiling lips, the only soul at this crazy time of summer, finally shows me a giant Coop supermarket along a tree-lined avenue lined with anonymous buildings, and I can buy something (too little) to eat during the crossing.
I’ll visit Ancona another time: in the meantime Laura has arrived, I haven’t seen her in three months, my joy, cosmic embrace to my tested trip companion, real and mental.
The port is a concrete casting, the queue begins to form to get on the ferry, composed mostly of screaming and very excited groups of young people leaving for the trendy holidays in Corfu, and some Greek family, elegant and posed, returning home. Couples and lonely travelers silently blend into the noise of the departure.
After an endless half hour of waiting under the sun, we are finally on board. Red carpet, super kitsch, we don’t have the “cabin ticket”, so straight on to the deck. The turquoise floor is wet and slimy, the chairs sticky, the air heavy. It doesn’t look very promising, but it’s precisely to live the whole crossing that we chose to have our first ferry trip, and not to take the plane. So, let’s enjoy it. We dry out two beers and devour the sandwiches I bought at the supermarket – what was supposed to be dinner becomes an afternoon snack – when the ship sets sail. The Conero mount fades slowly.
Here we go. Time now stands still. The vibration of the engines, at first intrusive, is already a habit for ears and feet, almost to the point of not being noticed. People are scattered on the deck, some people have dinner (or lunch? – I’ll understand later that Greek meals have no time), the powerful smell of pita gyros and souvlaki, and Laura and I move to the upper deck and sit down on the ground to chat and doodle on our notebooks.
Blue. I can’t get my eyes off the waves, and I would take a dive, here, now. The sky begins to blush; everyone leaning against the parapet to admire this great ball of light that is slowly swallowed by the sea, bathing the floor, clothes, skin, faces in contemplation with hot reflections until puf! See you tomorrow at dawn. And this is another of those moments of splendor that every time enchant me.
We enter in search of a dinner, in a huge hall used as a self-service. Usual red carpet, golden tables and chairs. For an unbelievable price that I prefer not to remember, they serve us a salad full of pink sauce and a woody stew. Disappearance appeased only by the idea that in a short time, yes, that we will eat real Greek meals.
We are tired, dead, but the discotheque is in the middle of the dances, with impossible volumes and with unplayable songs. We wait at the bar with a hot tea, speechless, in front of two televisions that broadcast two different channels, and try to familiarize ourselves with the Greek alphabet by studying the price list.
I go out on deck to smoke my last cigarette. Some brave people have camped with sleeping bags: despite an exaggerated humidity some are already stuffed in some corner of the bridge. All black, the line between the sea and the sky is gone, I look for some stars as usual. The first travelers were orienting themselves in this way, I don’t know how to do it, but I enjoy the stars the same way, always.
It’s time to look for a place where we can go to sleep, I find a secluded and quiet one, but at that moment a steward arrives and shows me the sleeping area for those who don’t have a cabin: he takes us to a room that looks like a cinema, blue velvet seats all facing a TV that passes football matches, all taken. Even on the ground, to pass, you have to climb over the sleeping bags. Laura slips into a shelf for luggage, me behind the last row of armchairs, near a door that will open a thousand times waking me up, a light pointed straight into the eyes and the air conditioning nozzle above the head. I have to use all my concentration and self-control skills to be able to close my eyes, and at six in the morning I’m already pretty perky and hungry.
Enea, the bartender, the same one who was there yesterday until late at night, is already at his place to serve breakfast, with an air of sad resignation to a job that seems to taste like captivity. But I rejoice in cheering him up, when I ask him, unaware, to try the Greek coffee without sugar. “Are you sure?” he asks me, at least five times. Yes, I’m sure, I’ll have to try it ‘this coffee! And while he’s making it, he laughs at me. The taste of coffee is very strange, unpleasant, metallic, but I finish it, almost out of pride now, and Enea gives me a brioche when I go to ask for an encore, probably out of pity.
I decide that, up until Patras, I will stay on the deckchair and sunbathe on the deck, while Laura does not hold it for more than ten minutes and goes to sit in the shade. I sink into the sleep that I had missed the night before, with the ipod in random, waking up sometimes, when the ship stops at Corfu and Gomenizza. All confused, I do not distinguish the dimension of time, the eyes open to take blurred photographs. I can’t wait to touch the ground, but at the same time the torpor crushes me, while the passengers, even if reduced after the stopovers, start again to speak and eat pita gyros.
A voice announces that in a few minutes we will arrive to our destination. We rush towards the exit, and while waiting, we meet the most singular character of the whole ferry: Michal, a vagabond-artist-artisan, born in Israel but based in India, who weighs much less than her suitcase and travels around the world selling photos of insects and T-shirts on which she prints them. We help her carry her luggage down and she asks me for tobacco even though ten minutes before she had said she didn’t smoke, and while she chases a taxi driver to negotiate on the price, we find ourselves in the middle of another concrete casting, the port of Patras.
Thanos, our friend who is to pick us up, has not yet arrived. We wait for him while we drink a beer sitting on the sidewalk. When we hear him scream, together with Nikos, for a moment it’s like coming home: he speaks Italian and in Italy he lived many years. Welcome hugs. The journey has not yet begun, even if we have been traveling for a whole day, twenty-two and a half hours, to be precise.
One day to the sea, twenty-two and a half hours in his honor, given to it, in an indolent and hypnotic wait. Some find it boring. But all that is needed is to let go and enjoy the journey… I am already ecstatic with this. Just imagine what awaits me.
Today has been a great day and I’m grateful and full of joy. It’s hard, here, but when I thought I’d lost all hopes, my work and my photographs of street art in Athens has been published on the website of the magazine Internazionale. Take a look here and hope you enjoy!
Oggi è stato un grande giorno e sono felicissima e piena di gratitudine, perché, quando ormai non ci speravo più, l’Internazionale mi ha contattata per pubblicare le mie foto sul sito! Date un’occhiata qui, spero vi piacciano! :)